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Lorem fistrum por la gloria de mi madre esse jarl aliqua llevame al sircoo. De la pradera ullamco qué dise usteer está la cosa muy malar.
John Doe
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Articles
North scene. INTRA, procedure to resurface and a mirror to look at.
With an interpretative vein like few others, and after two years of absence, the dancer Azalea López returns to the Tijuana forums with a piece that has an incomparable symbolic load, far from the clichés of feminism but that exposes us to a woman who confronts with what it has been, from its ancestors to its today and its now.
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INTRA, a resurgence of the scene in Guadalajara.
As artists we know that the need to create, contemplate and share from the imaginary and through the stage is what keeps us alive, perhaps not financially, but in spirit. This conviction to patronize art – be it our own art or that of others – is also a philosophy; because it is from this action that we learn, question and reconfigure the world in which we live. Living without art is like breathing without oxygen… Even reading it suffocates.
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Lux Boreal / XXXVI International Festival of Contemporary Dance Lila López.
On the sixth day of activities of the 36th “Lila Lopez” International Festival of Contemporary Dance, the Tijuana-based company Lux Boreal presented, at the Teatro de la Paz, the show “FIT/Misfit”, an attractive co-production between Lux Boreal (Mexico) and Iseli- Chiodi Dance Company (Ireland) with the collaboration of the musical collective Horsemen Pass By (Ireland).
isoptica.com.mx
The dancer who acts (or the actress who dances). Azalea López: living through dance.
Be quiet. Azalea moves on stage, barefoot steps; she stops, hesitates, more silence. Music. Then she the dance, the explosion, the manifestation of the senses. Azalea dances and bargains in resistance about her right to be different from her. About fitting in Or not.
www.undesiertoparaladanza.gob.mx
The children’s play CON-TEMPLAR, experiments with meteorological phenomena
Written and directed by Michelle Guerra, played by actress Azalea Lopez Inzunza, starting from the premise that contemplation and play are fundamental elements for the development of learning in the early years.
carteleradeteatro.mx
The birth of theater for babies in Mexico
To speak of childhood is to speak of the first times, of astonishment and absolute contemplation of the world around us. As stage creators, constant reflection on our artistic work is part of the responsibility shared by those of us who dedicate ourselves to art for children and young people.
issuu.com
Human beings have the right to culture from birth: War
“Human beings have the right to culture from birth,” said Michelle Guerra, who therefore considers theater for babies as a matter of social inclusion. “I believe that the theater is a space for everyone and in this time that all people on this planet are fighting for tolerance, in many aspects babies have been invisible to many people.”
ljz.mx
The self-interview
Lux Boreal is an idea. An idea that settled in the extreme north of Mexico and from there began to feed on the creativity, vitality and energy of artists who emigrated at the beginning of the 1910s, at the dawn of a new century.
Much to bet, little to lose in a world where humanity seems to be living overtime.
Much to bet, little to lose in a world where humanity seems to be living overtime.
staging.indomitadt.com